djulzs bass culture records revisits home soil with its forthcoming work ep, from young parisian techno gem, john jastszebski. bubbling under the radar whilst building support through residencies at paris social club and rex club, jastszebski received affirmation for his early productions from the likes of luciano, richie hawtin and agoria. flash forward to late 2012 and djulz has snapped up the talented producer for a four track ep, backed by a bonus remix from chicago born, detroit raised house don, delano smith. the work ep is all twilight silkiness, the skill behind the alluring, forward thinking construction instantly inviting you on the journey. from soothing piano riffs to tribal drum work and allusions to mother nature, the work of both jastszebski and smith on the remix maintains bass cultures tradition of technical clarity and creativity.

bergerac releases are few and far between. just 3 singles and one album since september 2010, all self penned by label boss red rack em. he has pushed his hybrid sound of woozy deep house and arid bass driven garage techno into the hearts and minds of the scenes elite including four tet, mike huckaby, mcde, magda, move d and axel boman. the 4th release introduces a new artist and sound to bergerac, seetheroad is a mysterious outsider with an impeccable techno pedigree. words are kind of useless when quality of this depth is on offer.
early dj support from kyle hall, ame, axel boman and hunee.

early support by blawan. after ctrls outstanding & critically acclaimed debut ep in april, the danish token resident is now back with 4 new cuts. pure machine funk.

daniel blackbelt andersen has been active in the norwegian dance music community for a number of years. he got into electronic dance music in the early 90s, and first started emulating the sound of detroit techno on his fathers home computer. these are three brand new tracks not being part of the recent album ii.

nice new funny dancefloor release by rich vom dorf with big remixes by his friends bebetta, klangkünstler and pierre deutschmann. the artwork of this release is a collage by the artists and fans of ton liebt klang. early support by aka aka, rene bourgeois, oliver schories, oscar aka ozz, glanz.

four exclusive tracks from elbee bad that conclude the true story of house music compilation on rush hour ... more class cuts!
following the recent elbee bad compilation, we bring you four more tracks that were not included on the album. this ep showcases tracks that he produced for and/or with other artists. more classic stuff that was released on some of the leading nyc house labels at the time. keith, kat & blondie for nu groove, lord kcb for easy street and the wizard & the prince for city limits.
this release again shows the early house mastery of elbee bad as well as his diversity. the keith, kat & blondie shows his deep, eerie side, his freestyle vibe on the wizard & the prince track (which became an early uk warehouse/breakbeat hit) and his hip hop roots on the lord kcb track.
again, a fine example of the formative years of nyc house music. unmissable!

my nu leng join 877 records to present this exciting two track ep released on vinyl and digital. a side, the grid leads the way with an explosive dancefloor anthem that is already receiving serious attention in clubs and on radio. garage organs mix with rolling bass, swirling vocal cuts and boiling percussion all mixed together to form an instantly memorable and timeless floor-filler. hips n thighs (ft. majora) follows where the a side left off, a tough and dark stomper blending classic elements with cutting edge sounds, mysterious vocals and rising melodies.
early dj support from: dj ez, rosca, el-b, addison groove, marcus nasty,hudson mohawke, clek clek boom, goldffinch, tomb crew and many more

ingredients records are pleased to finally get the chance to release music by this drum & bass legend. known for his classics alongside st files and as a solo artist, featuring on metalheadz, 31 & his very own soul:r imprint, to finally have his name in the recipe catalogue is something we will hold dear. onto the music itself and its a side >cabal< is a deep techno influenced roller, with crazy sub-lo bass and slick percussion work. meanwhile >mud<, with its excellent arrangement, early 90s feel and distinct intalex vibe is a straight up slice of drum & bass as it is meant to sound. pressed to a limited amount of 400 full release promo copies, be sure to grab it while it is hot.
dj support comes from marcus intalex, dbridge, bailey, loxy, skeptical, dub phizix, flight, friction

lp includes downloadcode the time has come. the funky nerd and knob-handler erdbeerschnitzel alias tim keiling is releasing his first physical album on mirau. the young producer, who has moved from his hometown of mittelfischbach to bonn, tapped into the lode of versatility early on, and has been extracting one surprise after another ever since.

early support from: chris liebing, the advent, richie hawtin, adam beyer, slam, joel mull, psyk, jonas kopp, sasha carassi, joseph capriati, space djz, gary beck, mark broom, edit select, dubfire, audio injection, electric indigo, axel bartsch, alan fitzpatrick, angel molina, marko nastic ...

sys are three nijmegen based producers with different backgrounds, but with the same great view on music, delivering underground techno/dub with great sounddesign, slow tension building drum-patterns and off-beat rhythms. nocturnal is a deep pulsating rhythm with some nice dubbed out chord elements building slowly until the drumbreak hits and lifts the track to a higher level.monocle is about a steady irresistable groove instead of building to a climax. loose yourself in its simplicity and get sucked in by the slick sounddesign happening in the background.on the flip norman nodge delivers a great acidic remix perfect for warm up sets, peaktime dancefloor action or early morning moments.nice one again on eshu!

early support from : agoria, jimpster, roberto rodriguez, giom, johnny fiasco, luke solomon, mark farina, motorcity soul…

we are very proud to introduce the next release out of madtech records, this time it is in the shape of the new single from krystal klear >more attention<. this stellar track is accompanied by the equally excellent b-side >my love is burning<. both tracks are reminiscent of late 80s / early 90s sounds using samples to resuscitate the ghosts of past genres with a firm current house beat snapping it back to a contemporary cutting edge house sound. krystal klears nostalgic sound is created in a sea of synthesisers, hooks, drum machines and samples that are weighted by present-day bass licked house beats.

new kanada enters the fall 2012 season with some dark angular acidic house. black and medleys >roll the dice< - featuring the voice of rosina – is an old-school blend of disco, ny house and classic toronto warehouse vibes. slightly acidic, with its bubbling juno bassline – and slightly techno with the driving, repetitive beat – this house track should rock the deepest of dancefloors. file somewhere between henry street and early adonis. 5am - no earlier. for the flipside, adam marshall sits down at the controls for a clinical, tight, stripped-down scrubbing, turning the original into a late-night fear edit. broken, diffused drums and lots of black empty space in this one. the lights go out – blackout.

nicole willis & the soul investigators are back with a brand new single on 7 inch vinyl.
>tell me when (we can start our love thing once again)< b/w >it s all because of you< is the simmering first double-side single from their upcoming lp >tortured soul<, set for release on helsinki-based timmion records, in early 2013. on their sophomore effort nicole and the soul investigators signature soul sound is clearly audible, but it also unearths rhythm & blues tainted licks and the pleas of unrequited love.

endangered species is the eagerly awaited full-length album from wolf + lambs musically virtuosic no regular play, a duo equally at home in the rehearsal rooms of julliard as in the main room of fabric.their debut album was made in early summer 2012, exclusively in the studio of new york citys marcy hotel. over the course of 11 elegantly interlaced tracks, greg paulus and nicholas debruyn create a veritable cornucopia of beautiful forms

oil ep is the perfect type of music for making a difference on the dancefloor and now you handle it on the best format ever: vinyl.

after a fresh summer release from fantasna we are proud to present our fourth vinyl. marcman is a rising talent from bacau, rumania. he has an uncanny ability to compose great tracks with very unique ingredients. full of talent and brimming with a love for the old school sound of techno and house classics, he is definitely an artist to keep in your eye and in your sets!

early support from: luciano, chris carrier, martinez, livio & roby, cesar merveille, jorge savoretti, federico molinari, alex picone, nekes, negru, felipe valenzuela, debug, sound wall.it and many more!

often overlooked in american techno history are the weird and wonderful flavours to have emanated from the mid-west over the years. no two finer exponents have there been than minnesotas paul birken and freddy fresh. their contributions date back to the early nineties when freddy was exploring the possibilities of extreme techno (via labels like labworks, experimental and his own analog) - an activity that paul took up a while later after debuting on woody mcbrides renegade communique label in 1996. teaming up for the first of two collaborations on this 12 inch, paul and freddy open with >the fate of thirty eight< - a belting slab of analogue techno, where machines shriek and squawk like possessed animals on the loose.

nice price deal !!! prism studied drums under vance gordan specialising in afro cuban rhythms and the moeller technique prior to venturing into music production. after becoming more intrigued by the intricate likeness of all societies, cultures and religions, prism was created with a deeper purpose. not only to showcase these influences but to convey an awareness that all things no matter how different they may appear in physical form, are all the same. having an ear for deep jazzy tunes and being hugely influenced by the early metalheadz era, prism continues this sound in his selection of music playing vinyl and unreleased dubs from all around the world. always in tune with the roots of what started both dubstep and drum and bass, prisms selection rarely strays away from raw, emotional bass music but contains something for everyone which will insure a good time for all who catches one of his sets

ron carroll & (byron stingily) - two legends from the early house era. their voices have been an instantly recognizable signature on countless records from that time. these two heroes are back now with paskal & urban absolutes. the duesseldorf / berlin-duo has been busy in the studio for the last few months working on new tracks and remixes.

with his second release for planet mu this year, >dream on< is more of a full-length outing for ital aka daniel martin-mccormick and a much more substantial record than the popular and critically acclaimed >hive mind<.
on >dream on< ital takes his experimentation with house and techno forms even further, creating impressionistic deconstructions from the tropes of early house and techno. sunny chords, laid back drum shuffle and rhythmic vocal loops are picked apart and threaded with a rich psychodrama of delirious textures, tidal chords and uneasy roughness and dissonance.
vinyl format ships with digital download code.

disko404 is a long-established promotions crew based in graz, austria, whose renowned monthly events are all about celebrating the bass in dubstep, funky, house, juke, grime, hip hop, electro, and experimental sounds. earlier this year they branched out as a record label, launching with a well-received split ep from sun people & franjazzco. their second release features two new tunes by sun peoples simon/off as well as a splendid remix by bass clef.
early support comes from scratcha dva (hyperdub), brackles (rinse fm), phon.o (50weapons), and bunzer0 (sub fm), and with a strictly limited run of 250 pressed, this is a 12 inch that will be in demand long after supply holds out.

jack dixon follows a string of critically acclaimed releases for apollo (r&s), take and losing suki (hypercolour) with his debut outing for hotflush. influenced by the sparse atmospherics of wolfgang voigt, the playful intricacy of autechre beats and the off-kilter grooves of uk garage, the berlin-based producer is unconstrained by genre or place, pioneering a modern, progressive sound that has already garnered him a glowing reputation. in turns colourful, ambient, melodic and driving, his new ep feels right at home on scubas label. beginning with a deceptively clean and minimal rhythm, >e< slowly gives way to lush glacial drones, skittering beats and huge euphoric drops to form a bold production that sits somewhere between the early morning techno dancefloors of berlin and the murky sweatbox raves of late-night south london. on the flip, he delivers the soulfully taut >find shelter<. warped vocals weave in and out of an insistent, jazzy house groove, backed by a tapestry of glitches, vinyl crackle and live drum flourishes. it all leads to one of the most delirious and ecstatic drops you will hear this year.

great dont techno 4 tracker... new moves from cursor, ben pest & jerome hill ... cursor miner has built a solid reputation over the years for being a free thinker in the world of techno, breaks and bass music, and here for dont he delivers the massive >nonon<. with early support from perc, the track has to be heard to understand... it lures you into a trance then thunderous spastikesque drums pummel the listener into submission. in one word, classic. plus you get palinki, a warped techno bouncer. on the flip, another freethinker, ben pest treats us to >yam um sugli<, with deranged synths and drums practically oozing funk, this sounds like nothing else on the planet.. which is what dont is all about! finally, label boss jerome hill steps up to give a reworking to the aptly named >rumbler<, an intense techno bruiser!

early sähkö / seico corp inspired goodness from new project, shadows. limited 1st edition on clear vinyl feat. insert & poly sleeve. avian moves on from the last two highly successful releases by londons mpia3 with a new project from undercover operatives, shadows. taking cues from early sähkö or seico corp records and putting a modern twist on it, shadows first ep for avian features two bruised & scorched original productions as well as a reinterpretation by new yorks mike parker who takes distorted images and reconstructs it in his own typically restrained but super effective style.

chairlift present takes on several cuts from acclaimed second album >something< by some of their favorite producers, showcasing how their songs can easily be adapted for the club. appropriately titled the 6.15amix, spanish equipo fantástico john talabot and pional turn >i belong in your arms< into a balearica-infused club-closer. a nifty piano line and seductive rhythm take the song on a late night (or rather early morning) trip to the beach, while carolines voice is being warped into something from outer space. photek takes the same track to a whole different place with his powerful jungle interpretation. martyn respects both the pace and rhythm of sidewalk safari, yet exchanges the clean production for a rather more cosmic beat, incorporating many of his signature touches to compliment the sinister >i m gonna hunt you down< lyric. dan careys dub mix of >sidewalk safari< shows a more playful side, while arguably the most intriguing remix of the package is the fields take on >met before<, recalling his early work it is so warped and layered you may struggle to imagine the original minus the smallest of hints.

the miracles club are producer rafael fauria, singer-songwriter honey owens and dancer ryan boyle from portland, oregon. since 2008 the group embarked on a mission spreading the joys of classic dance music vibes. their style draws from an endless palette including early new york & chicago house, detroit techno, and psychedelic pop. on stage the miracles club have manifested live alongside acts like larry heard, glass candy, gang gang dance, mikeq, kim ann foxman, blondes, and hunee.

how do you define the music of mantronix? is it hip hop? electro? funk? house? maybe the answer is all of the above (or is it none of the above?). it is true that mantronix will be remembered for their multi-faceted sound as well as their ability to bend and blend genres flawlessly into a cohesive musical tapestry, but they will also most importantly they will be remembered as musical innovators and sub-genre pioneers.
now available for the first time ever, traffic entertainment group in conjunction with sleeping bag records and warlock entertainment present, mantronix: king of the beats, the anthology 1985-1988. this carefully curated double lp compilation combines the best of mantronixs work from the early, and arguably, best era of their career into one amazing listening experience. whether you are an avid mantronix fan or are looking for a place to start - this is the collection to wrap your ears around.

everything in valse lucht twists and turns, yet it remains catchy and playable like no other. linnenhoods step write is slightly calmer, a perfect early-hours-track and a 9 minute trip through the darker parts of the wood.

the stone roses were the leaders of the britains late eighties madchester scene, merging pop, dance and indie rock in a seemingly effortless manner. their sound resonated with a number of bands that followed the stone roses in their footsteps: the charlatans uk and happy mondays among others. when released in 1992, turns into stone functioned as a sop to stone roses fans expecting another smash album like their eponymous debut album from 1989. silvertone records released turns into stone as a comprehensive collection of early stone roses material, hits and b-sides of exceptional quality. includes their biggest hit >fools gold<!
pressing on 180 gram audiophile vinyl.

paul müller introduces himself with a record that sports class and mass alike. its mass is easily explained: it sports three superb remixer. what tells better than some good old namedropping ... jori hulkkonen, lauer and matt walsh. these guys and paul müller are the ones responsible for the releases class by delivering great tracks ranging from tech-house to disco - and whatever you may call joris sound.
early love by: chlo e, the hacker, justin robertson, brodinski, luciano, mandy, maceo plex, laurent garnier, tim sweeney, daniel avery, chaim, crowdpleaser, troy pierce, robert owens, x-press 2, james teej, headman, phonogenic, xenia beliayeva, remain, jeremy p. caulfield, bonar bradberry, wally lopez, alex niggemann, funk d void, mugwump, tim paris, clive henry, shir khan, bubba, bozzwell, tornado wallace, kid who, hannah holland, maxime iko, doomwork, disco bloodbath, silicon soul, slok, richy ahmed, luca c, dj three, justin sloe, the saint and many more ...

daniel blackbelt andersen has been active in the norwegian dance music community for a number of years. he got into electronic dance music in the early 90s, and first started emulating the sound of detroit techno on his fathers home computer..

cologne based artist marquese back on niveous records. from a to b and back again - just try it! early support from raresh, sebo k, einzelkind and many more

benny rodrigues is not only a nice dude with his first 12inch for desolat. his recording career goes way back to early collaborations with afrojack or darko esser, as rod he releases on klockworks and clr, has remixed josh wink and dj pierre. the list can go on, but well focus on our lovely release here. somewhere between relentless prime time techno and stripped-down house grooves, with woozy chords carried on a jet-stream of tight rhythms, this is definitely our favorite benny rodrigues release. enjoy!

initially focused on its mission to spread left-field dance music from south america, with early appearances of the likes of luciano and pier bucci, the swiss-chilean label is now ready to conquer the whole wide world. under the command of the imprints ever-energetic epicenter dandy jack aka captain deutschland, ruta 5 pepino airways flight n° 5 takes off to a truly compass-defying journey.

back in stock (ltd warehouse find)huge classic early 90s ghetto house produced by paul johnson

reissue of obscure chicago ep that slots into the muzik box scene (big ron hardy fave). early 80s synth pop with new wave vox on the minimal wave tip.

rhythm odyssey is a production alias of the one and only dean meredith (chicken lips, goat dance etc) here he has teamed up with dr dunks (eric duncan, rub-n-tug) and tis second part of their 2 12 series, the duo have crafted some deliriously good mid-tempo balearia, circles could be a long lost remake of e2e4, and has sunset moment written all over it. >glow< takes the same ingredients and transports them into early 80s dubbed out territory - superb!

inspired by mexican street art, dirty basements low-rider bikes, booming sound systems and everything musically that springs from the late 70s and early 80s, isms midnight riot label again drops an ep of bombastic proportions. sleazy mcqueen delivers a dirty blissful laidback workout with ez to love whilst rayko, spains greatest export once again does not disappoint with the hedonistic summer smash hard, and the ever creative mark e steps up with a twisted cosmic house remix for heion on follow me. dj butcher an amazing greek producer and another big name on the disco edit scene has conjured up the amazing anthemic we are the music

to mark its 11th release ce launches a new v/a compilation series featuring exclusive material from some of the hottest names in electro from across the globe right now. the world electronix series will be strictly limited to 4 x single press 12”s with no re issue. the first instalment of world electronix aims to showcase the darker dance floor side of the genre. the series kicks off with parisian resident carl a finlow aka silicon scally who turns in a signature style machine tech roller reminiscent of his early scsi av works. the duty then shifts to spain s number one electro export boris divider with a clinical, tight, rother-esque groove. on the flip we see london based ce label head sync 24 join forces with australia s abstract forms label owner deixis. the debut release for these 2 artists is a spooky,spacey affair with haunting vocals and a killer sub!rounding off the ep are finnish duo morphology, who alter the proceedings with a freaky 4/4 electro piece. the following editions of world electronix will include tracks from e.r.p, versalife, gosub, the exaltics, crc, dynarec, fastrgraph, plant43, defekt, steve allman, sync 24 & deixis. watch this space!

early support by ben klock. phase strikes back after binary opposition and does it with ease.

nice second release on the ton liebt klang sublabel called vogelfrei. this is really a festival- and clubbomb by the labelhead dembowski and clark davis (turnbeutel, subotnik). remixes are made by oliver schories (turnbeutel, ostwind), rich vom dorf (ton liebt klang, acker, rennbahn) and klangkuenstler (kallias, zuckerton, ostfunk).
early support by richie hawtin, hanne & lore, beatamines, bebetta, andy kohlmann, compact grey, arts & leni, miyagi, illboyphil, carlo rütz and many more.

another great 12 inch from the memoria recordings talent egal 3 with a remixes from hector and the norway underground talent terje bakke... early support from raresh, reboot, andrew grant, tini, yaya, gel abril

the freshly painted rvs kicks into action with this unique, modern and infectious fusion of underground deep house and edgy, punk-inspired rock.
early support from: mr c, jb, darren roach, bruno schmidt ...

elbee bad is another great underground house pioneer from the formative days of nyc house in the late eighties. the true story of house music finally gets told... tip! like the burrell brothers, elbee bad aka lamont booker, is an early house producer from new york city. and the comparison doesnt stop there. elbee bad has also recorded under different aliases and has also remained largely unknown to a wider audience. he has also recorded for nu groove records, for which he has recorded his most famous material, but like the burrells he wasnt a nu groove fixture. bad recorded for a slew of other independent new york house labels like bassment, city limits, easy street, red heat, united states of america and then there was his own larhon records

teal presents south london ordnance as the artist for the sixth release. since his emergence in early 2012 south london ordnance has recieved much hype, and rightfully so. two of his deeper sonic excursions >witch hunt< and >chase scene< span the two sides of this, his probably most exciting ep to date.

after successful debut album release hitting home on is own imprint paso music, marc is back on bondage-music with a huge follow up ep incl.brilliant remixes by mihai popoviciu & toygun and mario aureo. early support by ron flatter, ramon tapia, tom clark, claude vonstroke, richie hawtin, wehbba, david jach, sebrok, andreas henneberg, stephan bodzin , miguel lobo, beatamines, markus homm, bunte bummler, sascha sonido, nicolas masseyeff, david keno, pascal feos, oliver schories and many more

the smugglers inn has become a unique testing ground for new artists and productions and many of todays highly rated new school producers benefited from early support on the show as well as behind the scenes a+r advice from daniel when approached by record labels after being featured on the show.with a network of talent to draw from, it seemed a logical step to start a record label so this is the first release from what promises to be an interesting series of eclectic, dancefloor focussed musical endeavours from an all-star international cast.

nice price deal !!! redux return from a winter hibernation and summer of partying with some more essential wax. grand corporation is the latest alias of andy meecham (emperor machine/chicken lips) and stevie kotey (bearfunk/chicken lips), features the incredible vocals of deborah bell, and really cements the reputations of two of scenes finest producers. the grand corporation sound is inspired by the very best dance music from detroit/chicago/new york, resulting in some raw, sleazy and soulful early house vibes. there may be bit of a trend for reproducing classic house sounds at the moment, but these guys are seriously qualified to do it and unlike a lot of their peers capture the essence of what made this music so exciting in the first place. free comes in vocal and instrumental versions, and with a superb bonus acid dub in the do it proper remix.